Soviet Innerness | My New Favourite Take On Urbex
Here’s an exceptional example by Soviet Innerness, of how, just looking at the way you approach an idea, and changing your perspective can produce fresh and elegant results.
I love the way how Elena Amabili and Alessandro Calvaresi have shown with their beautiful project, Soviet Innerness , sometimes a unique idea can be right under your nose if you are willing to be adventurous enough in your thinking and rule nothing.
They’ve managed to create these beautiful images of simple close-ups that offer a full spectrum of entirely different structure but, when joined into a complete set, create this amazing display of unique and surprisingly colourful scenes from an abandoned environment.
When I’m photographing abandoned buildings, I tend to follow a formula of wide-angle compositions. It tends to rely heavily on the architectural and physical features of an entire scene.
Sometimes, especially when shooting large rooms or expansive spaces, and becomes easy to lose sight of the smaller details while in the hunt of just trying to capture everything once.
Just looking at their work makes me want to go and do close ups.
It reminds me of this artist I saw in Centre Pompidou when we visited Paris in 2008.
The moment I saw this artwork I loved it, I can’t quite put my finger on it, It’s something do do with the mix of paint and paper and the way one overlays the other.
I can somehow see the same thing in the artwork by the artist and the inadvertent artwork created by the former residents of these homes.
To see the original feature, click here .
“Soviet Innerness tells about the places where wallpaper is torn, and Pravda peeks out; where coats of the paint layer, dilapidate, and eerie flowers blossom; where time stands still and the unheimlich is comfortable.”
While exploring dilapidated buildings in Latvia for a photographic project, Elena Amabili and Alessandro Calvaresi found other quieter, more personal remnants of Soviet design.
Originally, the duo was attempting to take impressive wide shots of everything, but in the end, the little details on the walls were the unintentional, stand out feature – so the focus of the shoot changed accordingly.
Smith Journal , is a quarterly, Australia-based publication that takes unexpected, interesting, funny and sometimes complicated stories and tells them the way you would to a bunch of friends at the pub.